The Eight Mountains review a movie with air in its lungs and love in its heart Movies

Table Of Content

• ‘The Contestant’ tells the bizarre story of a Japanese man who lived a real-life ‘Truman Show’
• SELECT CLIENTS
• The Eight Mountains review – a movie with air in its lungs and love in its heart
• An ambulance, an empty lot and a loophole: One man’s fight for a place to live
• The 13 best novels (and 2 best short story collections) of 2023
• Share your space and start earning
• Review: ‘The Eight Mountains’ is already an art-house hit — and an emotional powerhouse

One night, Pietro tells him about a Nepalese he met who described how the world consists of eight circular mountain ranges divided by eight seas, and at the center of it all is Mount Meru, the tallest mountain. Pietro asks Bruno whether the person who has visited the eight mountains and eight seas is more learned than the person who has scaled Mount Meru. Bruno identifies himself as being on Mount Meru and Pietro claims to be visiting the eight mountains and that he is more knowledgeable.

The Eight Mountains Directors on Conveying an Epic Scope, Losing Parents, and Letting Go of Their Film - The Film Stage

The Eight Mountains Directors on Conveying an Epic Scope, Losing Parents, and Letting Go of Their Film.

Posted: Thu, 27 Apr 2023 07:00:00 GMT [source]

‘The Contestant’ tells the bizarre story of a Japanese man who lived a real-life ‘Truman Show’

So it’s a relief to report that Tóth, co-adapting with Klára Muhi a novel by Zsuzsa F. Várkonyi, handles this intermittent tension — both what’s interior and unarticulated, and what’s externally threatening — with an appreciative subtlety, and without a hint of soapiness. Tóth nods cautiously toward a dignified ambiguity, what can exist in the molecules between vulnerable souls in the process of rebuilding. Aldó, played by Károly Hajduk, is a wiry, disheveled figure with benevolent eyes and a haunted air, whose entire life is his ob-gyn practice since losing his family in the camps. When he meets angrily self-possessed 16-year-old patient Klára (Abigél Szőke), she’s coming out of a delayed puberty, still writing letters to parents whose absence she can explain away, and railing against life under her discipline-intensive, exasperated great-aunt Olgi (Mari Nagy). There’s an easy, flinty chemistry between Marinelli and Borghi, which is especially interesting given each is somewhat counterintuitively cast in a role for which the other might seem a more obvious choice.

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But their Edenic friendship is ruined by Pietro’s parents, who make a heavy-handed and misjudged offer to let Bruno live with them in the big city and attend high school there. Bruno’s absent father objects to this condescension, and takes the boy away to work with him on a building site while Pietro starts a troubled middle-class student career. Pietro never forgives his father for splitting them up, and for being more impressed by the tougher and more alpha Bruno, who is a real outdoorsman. The film moves through their adolescence, when they lose touch with each other, and into adulthood, where Pietro (Luca Marinelli) and Bruno (Alessandro Borghi) find their way toward one another again. In many cases, their friendship is the only stable thing in the flux of life.

The Eight Mountains review – a movie with air in its lungs and love in its heart

But, she also balances this out beautifully by adding new-age designs to her work. This is the perfect representation of the balance that the city of Charlotte has. Recently having some high-profile clients has been the highlight for Geri from Freespace Design and her portfolio.

He also learns that in his absence his father has continued to see Bruno. Eventually he finds Bruno in the mountains where his father has left a pile of rocks and wood on a slope intending to build a house. It becomes clear that while Pietro was alienated from his father, his father had become closer to Bruno.

In the summer of 1984, Pietro, an 11-year-old from Turin, and his mother Francesca rent a house in a village called Grana in the Italian Alps. There they meet Bruno, the last kid remaining in the village; estranged from his parents, he lives with his uncles and aunt. Months later, Pietro's father Giovanni arrives as well and the trio go on a hike. One day, Bruno informs Pietro that Pietro's parents have offered to adopt Bruno so he can go to school in Turin, and his uncle has agreed. Pietro, has a complex reaction to this idea which he identifies as believing Bruno should not be uprooted from his world, and protests the decision. Bruno's father is angry at the interference and soon takes him away to work for the summer and they do not see each other again for some time.

Bruno confronts Pietro with the aimlessness of his life and pushes him to help him build the house his father had wanted. Bruno plans to restore his uncle's pasture and continue living the life of a mountaineer, and encourages Pietro to follow his dream and write a book. An unusual pairing, to be sure, but one that for me makes a sad and sublime kind of sense.

His dream is to take over his aunt and uncle's abandoned dairy farm, where he can make cheese and live the life of his ancestors. The passage of time, and Pietro's voiceover, show the film's novelistic source material. It’s the spreading tale of a friendship that begins one mid-’80s summer, when city kid Pietro (played as a child by Lupo Barbiero) comes with his mother on vacation to Grana, a tiny fading hamlet nestled under the crushing, snow-capped immensity of the nearby Alps.

[We were] sharing and learning this language together, immersing ourselves into new world. Also, our boy really found his way there and made friends, and he loves to go back to the mountains. It really helped us mature and enter into a new phase of our relationship. An epic journey of friendship and self-discovery, THE EIGHT MOUNTAINS is a landmark cinematic experience as intimate as it is monumental, as deep as it is expansive. As they mature, Pietro becomes estranged from his business-minded father (Filippo Timi) even as Bruno—emotionally abandoned by his own father—takes up the role of surrogate son.

Felix Van Groeningen, Charlotte Vandermeersh’s ‘The Eight Mountains’ to Sell at Virtual Cannes Market (EXCLUSIVE) - Variety

Felix Van Groeningen, Charlotte Vandermeersh’s ‘The Eight Mountains’ to Sell at Virtual Cannes Market (EXCLUSIVE).

Posted: Tue, 15 Jun 2021 07:00:00 GMT [source]

Vandermeersch, primarily known for her work as an actress, had previously appeared in several of her husband’s other movies and received a screenplay collaboration credit on his Oscar-nominated The Broken Circle Breakdown. But as Van Groeningen began to approach shooting the adaptation of Paolo Coginetti’s novel that he’d co-written with his wife during pandemic lockdowns, he suggested that she join him in helming the film. Based on the award-winning Italian bestseller “Le Otto Montagne” by Paolo Cognetti, the movie is novelistic in the best sense. It immerses you in the world of its characters – both human and Alpine – on that chimingly deep level that usually only literature can access. But it lives and breathes in beautifully cinematic terms, with each one of Ruben Impens’ stunning academy-ratio pictures worth a thousand words. Although this classic bildungsroman may have been nipped and tucked in the transition from page to screen, in terms of scale and sweep and emotion, little appears to have been lost in translation.

"The Eight Mountains" starts with the meeting of two 11-year-old boys in a remote village in the Italian Alps. Pietro (Lupo Barbiero) is a kid from Turin whose mother rented a summer house in the mountains. Bruno (Cristiano Sassella) lives with his aunt and uncle, working their farm.

This lovely Charlotte interior designer has a full-service firm specializing in newly constructed homes and commercial spaces. She and her team will handle anything from space planning to selecting materials needed for the interior. One day back in Nepal, Pietro receives a call from Bruno who tells him that his pasture has been taken away and that Lara and their daughter is living with her family. He wants to spend some alone time at the house they built and would appreciate Pietro's company. One night, Bruno reminisces about the former happiness of his marriage; Pietro replies that he is a good father who should take up a regular job so he will not abandon his daughter like his father did him.

The film is based on an Italian novel of the same title by Paolo Cognetti. It has won multiple awards in Italy and France and is also the author’s first book published in the U.S. This “garden room” belongs to a home in the historic downtown district of Charleston, SC. The room served as the carriage house’s original kitchen, and vestiges of those humble beginnings (like the exposed brick wall and the perfectly imperfect beams) still show.

At Cannes, critics praised the film’s attention to detail and the way it used elements of nature to conjure the feelings of magic that childhood friendships can create. It’s been a long time since Pietro has seen Bruno too; like so many childhood friendships, theirs faded as the two grew up and went their separate ways. The house is soon finished, and over time it becomes a place for them to reunite every summer, a high-altitude oasis amid lives often adrift in confusion and uncertainty.

The story begins in the summer of 1984, when 11-year-old Pietro and his parents, who live in Turin, spend the summer in a small Alpine village. It’s here that Pietro meets Bruno, a boy roughly the same age, who swiftly becomes his friend and guide. The region, with its scenic lakes and jaw-dropping vistas, is a boundless sun-drenched playground. And the writer-directors Felix van Groeningen and Charlotte Vandermeersch joyously capture the boys’ rambunctious, rough-and-tumble innocence, the pure happiness we see coursing through their faces and bodies as they run, wrestle, yell and explore.